
Credere - 2ª edició Andorra Crea

General information
Event information
Dance and theatre monologue.
Credere seeks the limits between traditional theatrical codes and performance. Based on the punishment of the myth of Sisyphus where the hero is punished for all eternity to climb a stone up a mountain that, once it reaches the top, will fall again; and the actor's own condition, he will navigate between the boundaries of the scenic languages such as physical theatre and dance, the use of the spoken and sung voice or the theatre of the absurd and autofiction.
People who act or intervene in it:
Xavi Pérez
Time: At 1 pm
Dance and theatre monologue.
Credere seeks the limits between traditional theatrical codes and performance. Based on the punishment of the myth of Sisyphus where the hero is punished for all eternity to climb a stone up a mountain that, once it reaches the top, will fall again; and the actor's own condition, he will navigate between the boundaries of the scenic languages such as physical theatre and dance, the use of the spoken and sung voice or the theatre of the absurd and autofiction.
People who act or intervene in it:
Xavi Pérez
Time: At 1 pm
Dance and theatre monologue.
Credere seeks the limits between traditional theatrical codes and performance. Based on the punishment of the myth of Sisyphus where the hero is punished for all eternity to climb a stone up a mountain that, once it reaches the top, will fall again; and the actor's own condition, he will navigate between the boundaries of the scenic languages such as physical theatre and dance, the use of the spoken and sung voice or the theatre of the absurd and autofiction.
People who act or intervene in it:
Xavi Pérez
Time: At 1 pm
Dance and theatre monologue.
Credere seeks the limits between traditional theatrical codes and performance. Based on the punishment of the myth of Sisyphus where the hero is punished for all eternity to climb a stone up a mountain that, once it reaches the top, will fall again; and the actor's own condition, he will navigate between the boundaries of the scenic languages such as physical theatre and dance, the use of the spoken and sung voice or the theatre of the absurd and autofiction.
People who act or intervene in it:
Xavi Pérez
Time: At 1 pm